To start with
Each challenge begins with one or two foundational concepts, typically very subjective and particular to every piece—an preliminary spark or level of inspiration that acts as an anchor for the design—and the remainder of the concepts evolve round it. Whereas different particulars could shift and evolve, these core rules stay fixed. For instance, I’ll resolve to make use of pronounced shadow strains and a textured floor, forming two of the driving concepts behind the piece.
I work very instantly with the supplies, letting their inherent qualities affect the shaping, finishes, and total design. The character of the wooden—whether or not it has a fantastic or open grain, a particular determine, or distinctive colours—determines how it’s used. For me, design and making are inseparable, with selections about type, operate, and aesthetics unfolding all through the artistic course of.
A major quantity of my design work occurs by means of statement—standing and searching on the wooden or elements, imagining their potential. If I create a mock-up, I favor to make use of the precise elements of the piece, minimize oversize, fairly than utilizing a special materials. Working with the meant supplies ensures that the conclusions I draw are correct and relevant. Sometimes I’ll draw a design at full scale on a drafting board, however that is uncommon.
Yew burr cupboard
Impressed by the Japanese custom of kintsugi—repairing and honoring breaks this piece embraces the pure character of the yew. It’s a wonderful however delicate timber, typically marked by inclusions. The cupboard embraces 23 patches which have grow to be an integral a part of its evolution and design.
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Irish wild cherry cupboard
The wooden for this piece got here from a storm-felled tree in County Carlow. It has an uncommon characteristic referred to as a pigment determine, which is characterised by streaks of colour impartial of the expansion rings. A determine like this may be overpowering in a design, so Hartung spent many hours discovering the proper mixture of colour and sample to take care of a subtlety that enhances the general geometry of the piece.
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Lavatory oak parquetry cupboard
| Constructed from 5,000-year-old quartersawn lavatory oak, this cupboard highlights hanging medullary rays and a delicate palette of tones: deep blacks, heat browns, and hints of silver.
The parquetry includes a sluggish, intuitive means of fastidiously arranging saw-cut veneers whereas avoiding symmetry and apparent patterns. The strategy permits motifs to emerge naturally, including depth and intrigue to the piece. The cupboard is hand-planed, scraped, buffed to a delicate sheen, and left with out end. |
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Lavatory oak cupboard
This cupboard marks Hartung’s first use of lavatory oak, after which he fell in love with the fabric. He realized that making use of any end would destroy the subtlety of the extraordinary silvers and grays within the wooden, and he found that hand-planing adopted by burnishing the wooden with a cotton material gave it an distinctive sheen with out the necessity to apply any end.
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Holly cupboard with crab-apple drawer sides
This was the primary within the collection of hedge-wood cupboards Hartung made for the Nationwide Museum of Eire’s everlasting assortment of craft and design. One of many notable qualities of holly is its very white colour and its practically full lack of figured grain. As an alternative, it’s dense and onerous, with a bonelike high quality or the texture of unglazed porcelain. Hartung needed to protect that distinct trait on this piece, specializing in texture and shadow strains as an alternative of counting on patterns in colour or grain.
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Design carries into the constructing course of

Design doesn’t cease when the making begins; it continues all through the constructing course of. Choices about finishes, edge profiles, and even the mechanisms for opening a door or drawer are all integral to the design. These selections have an effect on not solely the visible and tactile qualities of the piece but in addition its interplay with the person. I attempt to create a component of intrigue, encouraging curiosity and exploration in those that interact with my work.
That is half two in a two-part collection. Learn half one right here.
Stevan Hartung works wooden in Wicklow, Eire.
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From High-quality Woodworking #325 To view the complete article, please click on the View PDF button under. |
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High-quality Woodworking Really useful Merchandise
Dividers
Extremely helpful for laying out, setting equal distances, and evaluating measurements, these are an important device for any furnishings maker.
Compass
An important device for drawing circles and curves precisely. Additionally good for structure.
Blum Drawer Entrance Adjuster Marking Template
This template acts as a “dowel heart” for punching a gap to mark the place to drill fro clearance holes.
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