Paul Smith opened his first standalone retailer in 1970, in a tiny, windowless location in Byard Lane, a pokey Nottingham alleyway. Within the years prior, he had minimize his enamel at Birdcage, a tailor’s workshop-turned-independent boutique within the metropolis. Its founder, Janet Campbell, entrusted the Beeston-born twentysomething with heading up its menswear division, and right here Smith dressed the Midlands’ Mod scene in its signature razor-sharp, bespoke suiting, inspiring him to launch his personal line of males’s shirts: Paul Smith Vêtements Pour Homme.
Six years after transferring into Byard Lane, Smith set his sights on Paris, presenting his debut menswear assortment in a pal’s condo on Rue de Vaugirard. From then on, it wasn’t lengthy earlier than the world got here to know the singular visible language of Paul Smith: a lexicon of heritage materials, British witticism, impeccable craftsmanship and riotous color. Worldwide acclaim has by no means stopped Smith, who celebrated his eightieth birthday in July this yr, from remembering his Nottinghamshire roots.
Coat (worn as high), S/S 2004; skirt, A/W 2009
(Picture credit score: Images by Jesse Crankson, vogue by Man Miller)
‘Nottingham has formed every little thing, not simply design however my life,’ he says. ‘Rising up in that atmosphere taught me to worth high quality, exhausting work and making issues correctly. On the similar time, it’s a metropolis filled with sudden contrasts, and I’ve all the time cherished mixing these concepts – conventional tailoring with one thing sudden.’
‘Nottingham has formed every little thing, not simply design however my life’
Paul Smith
Although the Byard Lane store closed in 2017, Paul Smith’s Nottingham flagship, which opened in 2005 only a stone’s throw away contained in the Grade II-listed Willoughby Home, nonetheless stands as one of many metropolis’s landmarks. Since marking the model’s fiftieth anniversary in 2020, Paul Smith’s Basis has been systematically cataloguing its historical past inside a devoted archive on the firm’s HQ, housing greater than 5,000 clothes and objects from Smith’s intensive private assortment. (Even the bicycle Smith crashed on the age of 17 sits inside this ‘Aladdin’s cave’, because the model describes it.)
Thomas wears swimsuit, A/W 1997; shirt, A/W 2002; sneakers, undated. Lottie wears coat, A/W 2006; shirt, A/W 2002; trousers, A/W 1998; boots, A/W 2013
(Picture credit score: Images by Jesse Crankson, vogue by Man Miller)
Amongst its most recognisable items is a shirt from the Eighties, printed with plates of marinara-soaked spaghetti, impressed by a surreal wax mannequin acquired by Smith throughout a visit to Japan. This sits alongside one of many earliest clothes produced below the Paul Smith identify: a bespoke white marriage ceremony swimsuit made for a consumer in 1970. Additional custom-made ensembles embrace these worn by the likes of David Bowie.
‘There are lots of items within the archive that imply an incredible deal to me, however not all the time as a result of they’re essentially the most well-known’
Paul Smith
‘There are lots of items within the archive that imply an incredible deal to me, however not all the time as a result of they’re essentially the most well-known,’ provides Smith. ‘That mentioned, not too long ago lots of people have been speaking about my S/S 1999 womenswear assortment. It’s pretty to see folks revisiting it with a brand new appreciation and discovering inspiration in it once more.’
Jacket, A/W 1997; high, undated; shirt, S/S 2011; trousers, A/W 2000; belt, A/W 2015
(Picture credit score: Images by Jesse Crankson, vogue by Man Miller)
‘Trying again to look ahead’ is a theme that Smith has explored in his most up-to-date work. For the previous three menswear seasons, reveals have been staged in Milan relatively than Paris. The label’s A/W 2026 providing noticed Smith work intently with the newly appointed head of menswear Sam Cotton, inspecting the Nottingham archive from a brand new perspective, with reworked, outsized Nineties silhouettes reimagined throughout outerwear and relaxed tailoring. ‘The enjoyment of getting this repository is that my very own design workforce go to often and are available again with nice enthusiasm for issues they discovered there,’ mentioned Smith on the time.
Coat and high, each A/W 1995; shirt, S/S22; trousers, A/W 1991; tie, A/W 2005; belt, A/W 2015
(Picture credit score: Images by Jesse Crankson, vogue by Man Miller)
The ever-expanding archive has additionally been developed with the long run in thoughts. Paul Smith’s Basis gives a Style Residency programme supporting rising designers with entry to the archive, mentors and a free studio area in London. In the meantime, its biannual Archive Residency invitations visible artists to discover the area and its contents earlier than producing a undertaking in response. ‘I’m very pleased with tons,’ says Smith, reflecting on his profession. ‘However mentoring and supporting younger creatives has all the time been paramount.’ Above all, he believes, ‘the archive tells the story of staying curious.’
Poncho, A/W 2010; shirt, A/W 2002; roll-neck (worn beneath), A/W 2001; skirt, A/W 2005; sneakers, A/W 2016
(Picture credit score: Images by Jesse Crankson, vogue by Man Miller)
A model of this text seems within the September 2026 Fashion Situation of Wallpaper*, obtainable now in print on newsstands, on the Wallpaper* app on Apple iOS, and to subscribers of Apple Information +. Subscribe to Wallpaper* in the present day.
Mannequin: Lottie Morris and Thomas Bunce at Viva London. Casting: Jon Johnson. Hair: Kachi Katsuya utilizing Bumble and Bumble Make-up: Lydia Ward-Smith utilizing Dior Eternally Basis and Dior Seize Le Sérum. Images assistant: Emmet Banahan. Style assistant: Louis Boyagis. Manufacturing: Amelia Studios. Retouching: André Jacques.


