Parco Comola Ricci is Antonio Di Maro’s 2026 renewal of a home in Naples, Italy, set between the Mergellina and Chiaia districts. Inside an condominium relationship from the Nineteen Fifties or Sixties, the architect largely preserves the unique plan whereas introducing a sequence of gilded arches, a hand-carved inexperienced marble bifora, layered lighting, customized furnishings, and picked up artwork. The intervention attracts its character from exact additions fairly than wholesale spatial change.








About Parco Comola Ricci
Parco Comola Ricci occupies an condominium of roughly 180 sq. meters (1,938 sq. ft) in a personal residential enclave between Mergellina and Chiaia in Naples. Courting from the Nineteen Fifties or Sixties, the house receives a 2026 renewal by architect Antonio Di Maro that works largely inside its present plan.
Moderately than recasting your entire inside, Di Maro concentrates on supplies, furnishings, ornamental particulars, and the management of pure and synthetic mild. The venture attracts on rules of neuroarchitecture, utilizing concord, brightness, and sensory notion as sensible guides for the rooms.
Arches Throughout the Plan
The central intervention is a display screen of 4 spherical arches linking the principal areas. Their soffits are completed in gold leaf steel, giving the repeated openings a definite edge whereas establishing a measured rhythm of solids and voids. The display screen separates the residing and eating areas from the path to the bedrooms with out closing them off.
Its orientation additionally permits southern daylight to journey farther by means of the condominium. Under the openings, the construction turns into a sideboard and storage compartment, folding a sensible operate into the architectural ingredient fairly than including one other freestanding piece.
On the finish of this sequence stands a bifora made out of Verde Guatemala marble. Campanian craftspeople reduce and chisel it by hand, reinterpreting a conventional Nineteenth-century double window with a capital and Doric base. The inexperienced stone varieties a dense counterpoint to the gilded soffits.
Artwork Among the many Furnishings
Within the entrance, antiqued mirrors handled with steel and silver oxide lengthen the sense of depth. The lounge brings customized and up to date furnishings into dialog with the household artwork assortment. Two armchairs designed by Di Maro and made by Neapolitan upholsterers sit alongside Nicxon chairs by Sklum, a B&B Italia espresso desk, and the Capri rug from Magliocco Tappeti’s Il Mio Mediterraneo capsule.
A neoclassical Carrara marble hearth shares the room with Pellington Design’s Confetti c13 bookcase and a Flos Taccia Mini lamp. A Nineteenth-century navy portrait of Napoleon Bonaparte, a marble-and-bronze Dancing Faun, and several other marble busts add historic weight with out turning the inside right into a interval setting.
The lighting shifts between heat sources and extra impartial tones reaching 4000 Kelvin, permitting the residing space’s character to vary over the day. This layered lighting stays central to the venture’s emphasis on notion.
Oak and Iconic Types
The eating room facilities on an oval Saarinen Tulip desk, accompanied by a Marcel Breuer chair produced by Knoll Worldwide. A Sharp bs-7p sideboard by Momenti helps an Oluce Atollo lamp, whereas a Poul Henningsen pendant for Louis Poulsen completes the lighting composition above.
Within the kitchen, the prevailing island stays in place. Di Maro provides a snack counter made out of antiqued, kiln-dried oak, labored completely by hand and left with its grain expressive. The identical wooden character carries into the operating parquet, establishing continuity between the kitchen ingredient and the ground.
Throughout the condominium, robust shade, marble, gold-toned steel, oak, artwork, and thoroughly chosen furnishings construct what the venture describes as a up to date imperial character. Its clearest gesture stays the arched display screen: half threshold, half storage, and a exact instrument for transferring mild by means of the retained plan.
Images courtesy of Antonio Di Maro
Go to Antonio Di Maro
– by Matt Watts
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